My latest art residency consisted of a six-week stint with Black and White Projects at Pacific Felt Factory in San Francisco. I’d love to do more residencies like this! I had a nice little chunk of space to work in and work with right here in SF. I had someone there to choose which project on my list to tackle and that same person to offer suggestions along the way. I was looking for this input as I sometimes feel like I’m working in a vacuum without other artists around sharing space and ideas. My project started out as “A Doll’s House” and developed into “Barbie on the Cusp” (see www.cherrypits.net/portfolio).
Since I already have established my recurring themes I wanted to continue to build on them: feminism, the female form, body love, self-love, personal histories and story-telling, human liberation and expression, censorship, multiple layers and streams of communication, costumes, nudity, the gesture, strong personalities, vivid colors, bold women, our shared humanity, nature as the body and other juxtapositions, plus all that is sensuous without necessarily being sexual.
EXPANSION - YOUR STORIES
As I dug deeper into this project and discussed it with friends, I heard stories that I wanted to add to my story. Now I invite you to think about how Barbie affected you. I would like to include a variety of stories (all kinds!) in one of my next Barbie books. I will not include your name and I will lightly edit stories.
Please email me your stories to: email@example.com
THE RESIDENCY PROJECT
The residency took me down some old art paths that felt new. Digging into my personal history I became focused on the Barbie game I played as a 13-year old. What that would look like as an art project was tough to work out. I don’t have a collection of Barbies, so I put out a call for them and yes - I still need more!
I started by writing and drawing the story digitally. But once I got a box-full of Barbies and had collected an assortment of Barbie-related materials I began visualizing the gallery installation. I had the luxury of space on several walls and a floor - to convert into my Barbieland. I wanted to combine all types of things into an installation that spun off of the basement Barbie game that I played with my 13-year old girlfriends growing up in Pittsburgh in the 60s. And I wanted to illustrate why that tale is still relevant (and not a cliche) today. Barbie has been a popular art and fashion theme for decades, but there’s still a lot of substance there to explore.
Installation art is something I haven’t done in a long time, if ever to this extent. I was thinking about a class from my distant past in video and performance art at SFAI with Howard Fried and Karen Finley. Right after that I had a one-person show which included a performance piece. So I referenced these distant experiences, but I got so excited about the story aspect that I developed a story book in three formats:
A small square printed version in an edition of six (Chatbooks)
An 8.5 x 11 version ink-jet printed and accordion-folded for display in the center of the exhibition
A video of me reading the story