Susan R. Kirshenbaum

art and life - both the cherries and the pits

Colorful, Delicious Mexico, Part 1

Susan Kirshenbaum1 Comment
Found composition in the market.

Found composition in the market.

PART ONE

ART SEEN/SCENE

In March my husband Jack and I flew to Mexico City and Oaxaca for a week each. Wow, what a great trip. We saw and did so much that I just decided this has to be a two-part blog.

The weather was lovely - mostly dry and warm. There was a bit of a heat wave. (What place in the world isn’t having unusual weather?) And it’s a rather high elevation - 3-6ooo feet up - so that took getting used to.

We went to several art galleries and collections, small and large museums, various interesting shops, fabulous markets, and we walked and walked. All the while we were snacking on mangoes and sidewalk treats. Having lunch/dinner at 3pm meant that we had to lie down for a siesta in our B&Bs. Sometimes that would end up being the end of another very dense day.

Art in Mexico is political! It often refers back to peoples’ roots and Mexican history - there’s a lot of symbolism, skulls and skeletons, snakes and other animals, guns…

A huge contemporary art exhibit by xxx at Jumex in Mexico City.

A huge contemporary art exhibit by xxx at Jumex in Mexico City.

An art installation in a courtyard in Oaxaca brings together ancient functional tools with contemporary art installation.

An art installation in a courtyard in Oaxaca brings together ancient functional tools with contemporary art installation.

Lots of collaborative works shown in the contemporary art museum in Oaxaca.

Lots of collaborative works shown in the contemporary art museum in Oaxaca.

One of my favorite paintings by Oaxaco-born artist Rufino Tamayo. Seen in Museo Jumex.

One of my favorite paintings by Oaxaco-born artist Rufino Tamayo. Seen in Museo Jumex.

Contemporary yet so tribal in feel…All made of labels! This piece was a fav of mine in the Museum of Crafts in Mexico City.

Contemporary yet so tribal in feel…All made of labels! This piece was a fav of mine in the Museum of Crafts in Mexico City.

A tiny portion of a huge collaborative quilt shown in the contemporary art museum in Oaxaca.

A tiny portion of a huge collaborative quilt shown in the contemporary art museum in Oaxaca.

TATTOOS & PIERCINGS

Back in the SF Bay Area I now see people’s tattoos and piercings in a different light. Throughout Mexico I observed the ancient and contemporary art and artifacts made by and about the indigenous populations. Tattoos and piercings are a popular look in Mexican cities and it fits right in… (see below).

Here’s a contemporary painting shown in the Museum of Anthropology in Mexico City.

Here’s a contemporary painting shown in the Museum of Anthropology in Mexico City.

EXPRESSIVE FIGURINES

As a figurative artist, I love human figures, and the works I saw on this last trip are some of the most expressive I’ve ever seen. Maybe I was studying them more than usual. Checking to see what their facial expressions and their hands were doing as well as their clothing, accessories, and if obvious - their bodies and genitals.

2019_mexcity_anthro.jpeg
fullsizeoutput_8ef4.jpeg
2019_mexcity_anthro.jpg
2019_mexcity_anthro_expressions.jpeg
2019_mexcity_anthro_paintedfigure.jpeg

STORYTELLING

A book?!? This particular display was an inspiration for my current work in the show “Barbie on the Cusp” - I created a book that opens out to 12.75 feet.

A book?!? This particular display was an inspiration for my current work in the show “Barbie on the Cusp” - I created a book that opens out to 12.75 feet.

Ancient writing and illustration tells us how they lived.

Ancient writing and illustration tells us how they lived.

Ancient painting tools

Ancient painting tools

Another story-telling vehicle carved out of sandstone.

Another story-telling vehicle carved out of sandstone.

Did I leave my iPhone behind at the museum?

Did I leave my iPhone behind at the museum?

THE DUALITY THEME

Good/evil, life/death, you name it, your counterpart is right there

Good/evil, life/death, you name it, your counterpart is right there

ADORABLE ANIMAL VESSELS

They are so cute!

They are so cute!

WALL ART: GRAFFITI, PAINT COLORS, POSTERS & SIGNS

A portion of a large wall in a great palette!

A portion of a large wall in a great palette!

A little of everything

A little of everything

Yummy peeling posters

Yummy peeling posters

Lovely calligraphic graffiti wall (1)

Lovely calligraphic graffiti wall (1)

Lovely calligraphic graffiti wall (2)

Lovely calligraphic graffiti wall (2)

Rounding the corner

Rounding the corner

Two mouths / wall

Just a restaurant sign…but more

Just a restaurant sign…but more

Hazard paint, grafitti and DISCO posters!

Hazard paint, grafitti and DISCO posters!

Emotional wall stencils

Emotional wall stencils

Love the (unintended) collaborative aspect of multiple graffiti artists

Love the (unintended) collaborative aspect of multiple graffiti artists

Politics and stencils on a wall - don’t know who Barcenas is…

Politics and stencils on a wall - don’t know who Barcenas is…

Covered moto + graffiti art wall outside of the market

Covered moto + graffiti art wall outside of the market

Old paint layers / wall

Old paint layers / wall

Graffiti and art mixed composition

Graffiti and art mixed composition

HEADS & SKULLS

An ornamental carved jaw bone painted silver! Most ceremonial objects like these were buried in the crypts.

An ornamental carved jaw bone painted silver! Most ceremonial objects like these were buried in the crypts.

The theme of the jaguar swallowing a man/soldier/conquistador is prevalent. This one is special with its abalone shell scales.

The theme of the jaguar swallowing a man/soldier/conquistador is prevalent. This one is special with its abalone shell scales.

Ancient gem-encrusted skulls make for some lovely art.

Ancient gem-encrusted skulls make for some lovely art.

STRONG PRINTMAKING EVERYWHERE

On the free tour of printmakers’ studios, this fellow was a fascinating speaker and artist.

On the free tour of printmakers’ studios, this fellow was a fascinating speaker and artist.

Little and big printing presses seemed to be everywhere in Oaxaca.

Little and big printing presses seemed to be everywhere in Oaxaca.

MAGNIFICENT MARKETS

I admit I love her ribboned braids (right), although they were a common sight in this very Indian market outside of the city of Oaxaca with people cooking meat on open flames in the middle.

This fellow surprised me: An older man with a manual typewriter in a Oaxaca City market, writing a letter for a customer.

The outdoor area where the antiques are spread out has graffitied walls behind it.

…AND CONTEMPORARY ARCHITECTURE

Jumex, one of several contemporary art museums in Mexico City.

Jumex, one of several contemporary art museums in Mexico City.

Here’s a lovely glass building - it is an award-winning greenhouse in the Botanical Garden in Oaxaca.

Here’s a lovely glass building - it is an award-winning greenhouse in the Botanical Garden in Oaxaca.

BOLD COLOR, TEXTURE, PATTERN

Everywhere in the Historic District of Oaxaca there’s gorgeous, rich color - in the wall paint and added bonus of attractive graffiti art.

Everywhere in the Historic District of Oaxaca there’s gorgeous, rich color - in the wall paint and added bonus of attractive graffiti art.

Frida Kahlo’s Azul House (museum) is indeed the color of so much in Mexico, and so often seen in the strong combination with reds, yellows, oranges, and salmon pinks.

Frida Kahlo’s Azul House (museum) is indeed the color of so much in Mexico, and so often seen in the strong combination with reds, yellows, oranges, and salmon pinks.

Candy cane stripes make this a stand-out food stall in the market outside of Oaxaca.

Candy cane stripes make this a stand-out food stall in the market outside of Oaxaca.

STRANGE SITINGS

Loved looking up at the “junk trees” (non-indigenous) in bloom everywhere in March. So funny to catch sight of all the shoes in this tree (enlarge the image so you can see).

In a groovy, tiny Oaxacan cafe and mezcal bar, this art piece was on the shelf next to us.

In a groovy, tiny Oaxacan cafe and mezcal bar, this art piece was on the shelf next to us.

FRIDA, DIEGO, & TROTSKY

Love this image of Frida dead center. A highlight of our trip was the xxxx where most of the walls including the stairwells are filled with Diego’s ultra political murals.

2019_MexCity_Frieda_mural.jpeg
Back at Frida’s house (I was a never a fan before this trip - but I am now!) is her painting studio just as she left it.

Back at Frida’s house (I was a never a fan before this trip - but I am now!) is her painting studio just as she left it.

This is the urn (left) where her ashes are kept on display in her bedroom.

This is the urn (left) where her ashes are kept on display in her bedroom.

Frida’s death. I have two photos that relate top it directly. Because she was a tragic heroine, like a fairy tale.

And this is her death mask.

And this is her death mask.

Diego…I had so many favorite murals I wanted to show you all, but this one (below) seems most apt to our times about the moneyed class.

It’s still all about Wall Street.

It’s still all about Wall Street.

It’s an orgy. About gluttony, I think. Note the soldiers always in the back.

It’s an orgy. About gluttony, I think. Note the soldiers always in the back.

And Trotsky…lived with Frida and Diego for two years then he got a house and that’s where he was murdered with an ice ax. Right in his office, by a Stalinist. Another fascinating little museum not far from Casa Azul.

His desk where he was murdered while trying to record his story.

His desk where he was murdered while trying to record his story.

PRETTY, UNUSUAL, & TASTEY

Shrimp cocktail! A funky fun place near the market with great food and drinks. Very local.

Shrimp cocktail! A funky fun place near the market with great food and drinks. Very local.

Why did this place come up as the very best ice cream in Oaxaca? After a long dark search we found the ice cream shop. It turns out it’s made of soy milk in this super strange process. Not good at all!

Why did this place come up as the very best ice cream in Oaxaca? After a long dark search we found the ice cream shop. It turns out it’s made of soy milk in this super strange process. Not good at all!

Three of these moles are the real deal and the rest are more like stews. But so fun to try to them all!

Three of these moles are the real deal and the rest are more like stews. But so fun to try to them all!

Purple food! This was a splurge restaurant (La Casa) and the dish was very good despite how pretty it is. That’s purple potato puree.

Purple food! This was a splurge restaurant (La Casa) and the dish was very good despite how pretty it is. That’s purple potato puree.

Our daily favorites. Fresh, ripe, cut perfectly…

Our daily favorites. Fresh, ripe, cut perfectly…

The best soup I’ve had and one of my very fav dishes in Mexico. It’s ice-cold and lime-tangy with perfectly cooked shrimp. I could eat this every day.

The best soup I’ve had and one of my very fav dishes in Mexico. It’s ice-cold and lime-tangy with perfectly cooked shrimp. I could eat this every day.

We tried a lot of excellent local craft beers. This one has a great label although the style is not my favorite variety.

We tried a lot of excellent local craft beers. This one has a great label although the style is not my favorite variety.

How many times we walked past these offerings until at last we went for the mezcal. Thousands of local varieties and mezcal tasting rooms - like Napa/Sonoma. A boon to the economy.

How many times we walked past these offerings until at last we went for the mezcal. Thousands of local varieties and mezcal tasting rooms - like Napa/Sonoma. A boon to the economy.

THE WEAVING VILLAGE - A DEMO

At the Jacobo family of weavers in the village where it’s all about weaving, xxx, mama does the dyeing and spinning demo.

At the Jacobo family of weavers in the village where it’s all about weaving, xxx, mama does the dyeing and spinning demo.

Shades of pink to red come from dyes that are derived from a little beetle in the ladybug family called cochinella. It thrives on cacti in Mexico and was an original source of wealth in the “new world”.

Shades of pink to red come from dyes that are derived from a little beetle in the ladybug family called cochinella. It thrives on cacti in Mexico and was an original source of wealth in the “new world”.

Here are more of the ingredients of these natural dyes. Interestingly, although the traditions are ancient, the Zapotecs (who each speak a different dialect, from village to village) make these gorgeous rugs and are continuously developing new natural dyes and colors.

Here are more of the ingredients of these natural dyes. Interestingly, although the traditions are ancient, the Zapotecs (who each speak a different dialect, from village to village) make these gorgeous rugs and are continuously developing new natural dyes and colors.

LAST (BUT NOT LEAST) ART RESIDENCY WITH BLACK & WHITE PROJECTS AT PACIFIC FELT FACTORY

“BARBIE ON THE CUSP” - Barbie! Oh, where does SHE fit in?

2019_BARBIE_BWP_drawing.jpg

I created a storybook, which I also read aloud on video, and did an installation with my dolls, some costume props, and life drawings done on the spot. Everything is different from my usual work.

This image is from a market in Mexico - a wedding cake topper?

This is the project that I pitched and now I’m in the midst of my Art Residency with Black and White Projects at Pacific Felt Factory in SF. I took two weeks off in the middle of ALL this, and went to Mexico where I obsessed over Barbie the entire trip (without making any real progress). My iPad died. And I am self-identified as an iPad artist.
But for now - if you want to see what I’m working on in this mostly analog project installation show, and you live in the SF Bay Area, come to PACIFIC FELT FACTORY this Saturday, 4/13 from 3-5pm.

We’ll talk Barbie. You might even tell me your own personal Barbie story.

The name of the show is “Barbie on the Cusp”. Details:

“BARBIE ON THE CUSP”

BWP ART RESIDENCY PROJECT

BY SUSAN R. KIRSHENBAUM

DATE: SATURDAY 4/13

FROM: 3-5PM

(REFRESHMENTS SERVED)

LOCATION: 20TH ST BTW YORK & BRYANT, IN THE MISSION IN SF

2019_boxofbarbies.jpeg

SFWA SOLO SHOW & ART TALK (SHOWS & TELLS ALL)

Susan Kirshenbaum1 Comment

Excerpted from: ART TALK FEBRUARY 23, 2019

“WOMEN IN SILK: NOT WHAT YOU THINK” AND “LIFE SQUARED” AT SFWA

I gave an art talk on 2/23/19 at SFWA Artist Salon Gallery. The exhibition closes soon - see it through March 1, 2019.

WHY I DO WHAT I DO

What drives me to create this work? When I was younger, I thought the world was progressive, moving forward, never backward.

Maybe four years old doing what makes me happiest. Sitting at the window drawing.

Now I’m both astonished and delighted that at long last there is another wave of increased awareness about the ongoing exclusion and mistreatment of women.

As a young person growing up in the 60s through the 80s I watched and participated in a wave of progress in human rights. Not knowing better, I believed that political and social change are continuous and progressive.

Drawing on the front stoop in Pittsburgh, PA, around 1961.

I thought with the women’s movement that our progress was leaping ahead and my generation would at last achieve equality - that the world would not judge us by our bodies and treat us like second-class citizens. I was wrong. Now I know this is not so. But I see now that the old cliché one step forward two steps back is apt for much of life and obvious in our political climate. This is why resilience is so important.

The fight is still on and there is renewed energy. I continue to play my part through my art.

At Miami Art Basel in 2017 wearing one of my handmade art dresses.

THE FEATURED SERIES

Three years ago I began this new phase of life as a full-time visual artist. I realized "It's never too late to do what you really care about - and it's important for me to create lively, provocative art".

The work on these walls (in the SFWA Artist Gallery exhibition) represents three series over several years. The first was the Silk Scroll series of seven scrolls (White and Color Block).

The Laundry Gallery: First exhibit of all of the Silk Scroll Series

“Red Hair Curly and Straight” white silk scroll - I have thing about hair…

“Red Kimono” from Color Block Silk Scroll Series (created at the same time as the White Silk Scroll Series).

“Reaching” from the Color Block Silk Scroll Series

Next came the site-specific series of five “Banderas” (flags in Spanish) .

Troll House Reception 2017

And most recently I produced the Life Squared series of small works on paper in shadowboxes, often they are collages and/or mirrored images.

One of the walls in the show at SFWA

One of the walls in the show at SFWA

A FEMINIST FIGURATIVE ARTIST

All of my work is purely figurative and unashamedly feminist. It’s about women, reclaiming our bodies, being proud and self possessed. It’s straightforward yet open to interpretation. My drawings are brisk, bold, gestural works made from short poses. I’m inspired by my models.

Here’s the graffiti I shot in Spain before it became a layer in the collage to the right.

Here’s the graffiti I shot in Spain before it became a layer in the collage to the right.

Left side of a planned diptych collage - not in print yet

Digital collage: produced in 2 unique editions: a metal print and a print on paper in a shadowbox.

Right side of a diptych collage - not in print yet

Golden Gate Bridge up close and a collage layer.

Golden Gate Bridge up close and a collage layer.

I often make multiple versions from one original. I choose the best of the bunch or there may be several editions that spring from the initial drawing. This is one way that I make the most of the digital drawing process and my need to experiment and see my options.

Every February I watch for the first signs of spring in Golden Gate Park (SF) such as the magnolia trees in bloom. Nature is often a theme in my work.

Every February I watch for the first signs of spring in Golden Gate Park (SF) such as the magnolia trees in bloom. Nature is often a theme in my work.

Original version without magnolia tree

Version as a single figure collage

Version as a single figure collage

Collage version with magnolia tree

This version becomes a pattern collage

Version as a single figure collage

Original drawing before multiplying

Original drawing before multiplying

Original drawing before multiplying

Two titles: “Head Butting” and “Let’s Put our Heads Together”

My Valentines day 2019 image

“Leafy Dreams” collage is a popular piece in the show

“Skeletons” - an example of multiple images also in the show

INTO YOUNG ADULTHOOD

That’s me teaching in 1978 at Ivy School of Professional Art.

The impetus for being an artist goes way back. I’ve always drawn people. From paper dolls to life drawing, my singular interest and focus is figurative. And I enjoy using all sorts of mark-making materials. I think I’ve tried just about every tool and technique out there. In fact the first art class I ever taught was called Marks on Paper to teach freshman art students about the many ways of using of art supplies and found materials.

Weekend at Kala making silkscreen prints in 2017 - I still like to explore all methods and mediums. My work sometimes looks like it was silkscreened.

GOING DIGITAL

As a creative director for many years I built campaign after campaign with teams of creatives. I conceived ideas and explored what words, images, and designs had the greatest impact. But I was not hands-on nor a techi.

I came around to using professional digital drawing tools for practical reasons. Without hauling around a car-load of art supplies I could switch from one tool or medium to another instantly. These are called “digital originals”. My process is the same for each piece, since I always start by drawing a live model.

Original - Version 1 in the “Tami Series” 2019

“Tami Series: 3x”, 2019

David Hockney made digital art and process videos famous. I too can add, test, and remove layers and lines. I can include my photography so that the work becomes a collage. I can make multiple iterations and series, like monoprints.

Sarah - original v1

“Obfuscated” - v3

“Obfuscated” v2

“Obfuscated” - v4

I edit my work, scale it, and apply my artwork to a variety of substrates, from tiny to huge, and paper to fabric and metal. It’s important to experiment.

The Laundry Gallery SF 2016 - a dialog about art at a wine tasting meetup at the gallery.

THE SCROLLS AND BANDERAS

The grand scale of these works makes the space feel alive with the figures. The fluidity of the fabric combined with the movement reflected in the drawings helps produce this life-like feeling, although the drawings are not intended to be realistic. They are meant to convey a personality and a relationship. They are not “model drawings” but more of a conversation with an individual.

A “digital original” drawing for the Banderas series.

A “digital original” drawing for the Banderas series.

This sheer series is meant to hang from the ceiling in an overlapping cluster

Production: Sewing the edges of the Banderas series

Production: Sewing the edges of the Banderas series

Production: Creating the Silk Scroll series in an upholstery studio

Production: Creating the Silk Scroll series in an upholstery studio

The “Banderas Series” at Radian Gallery in 2018

The “Banderas Series” at Radian Gallery in 2018

THE BANDERAS SERIES

When I originally created the Banderas series it was for a site-specific installation in response to my residency at the Troll house.

I needed to express and insert a strong female presence – to take up space and touch the tips of a tall person’s head – to have an impact on the young male residents of this co-work space in Pier 26.

Jack hanging the Banderas Series in a Pythagorean Triangle

Adam demonstrating the height of the Banderas

The arrangement of the five translucent banderas hanging from the ceiling creates a play of color, light, and shadow from the inside and the outside. Passersby could see this show while walking along the Embarcadero. The light filtered through the sheer chiffon and shifted the colors as they overlapped. I’d love to create a version of these pieces for an even larger space on a grander scale in a public building.

The installation at the Troll House on Pier 26

Besides light and shadow and content and form, color is a key factor in my work. I am in love with color!

From my Spanish Graffiti Series

A collage with my own textile art as a layer

From my Spanish Graffiti Series

Multiples and mirror images in a new series

COLLAGES & MIRROR IMAGES

When I create collages I combine my drawing with my photographs and painting to create a rich, layered affect. I continuously change the layers, photos, and colors until I’m satisfied. I’ve been photographing for decades, especially when traveling but now I have a place to include these images as part of a bigger picture.

Always photographing gardens you can see the flowers here.

This turned into fairy princess twins - harkening back to my youthful fantasies

This collage combines a photo of Spanish graffiti art that is also a sign for a shop.

Note that the background image matches the stance of the model.

POLITICS AND ART

Now some of my work is outright political and maybe even a little subversive, such as my “Burma Series”. This series comments on religious oppression, targeting a group of people as “the other”, and massive ousting of the Rohingya people by the Buddhist majority.

I photographed ancient temple walls in Bagan, Burma.

Aluminum dye-infused archival print, ed. 1/1 , 20 (w) x 25 (h) Burma Series

I have a series that features the struggle for Catalan Independence too. I spend a lot of time in the region and know it well, so I have conversations about the topic frequently. Most my work is not obviously political but still attempts to illicit a response.

“THIS IS MY MANIFESTO”

Backsliding, covering up, and our hard-won battles are still coming undone. Every expose is important for building a case to protect women from religious, sexual, political, social oppression, and abuse. We are all humans and we are all equal, naked, and striving to be free.

My work celebrates women.

I will see my narratives grow into gallery-size installations. In my upcoming art residency I have space to expand my scope, scale, and impact.

Catalan independence poster in Girona, Spain

“Filled with Poppies” -a California version of the collage above right.

Collage with Catalan poster changes the meaning

New Year New Plans

Susan Kirshenbaum1 Comment
Golden hour in Golden Gate Park January 2019

Golden hour in Golden Gate Park January 2019

New Year’s Resolutions

This is how the year started out - with my arm still in the shoulder surgery sling, so it didn’t seem like a good idea to line up too many art shows. I’ve just been liberated from the sling and now I can step back and see where to focus this year. I figured out my goals for 2019 include: apply for and get Art Residencies and Grants to be able to work on bigger projects/installations. I’d also like to collaborate more with other artists, find a good-fit crit group, make some public art, and enjoy my new role as Exhibitions Director for SFWA. I hope to win over new Patrons via Patreon - ideally adding folks who don’t even know me personally.

“Color Block Silk Scroll Series: Jade Reaching” 2016

“Color Block Silk Scroll Series: Jade Reaching” 2016

“White Silk Scroll Series: Red Hair Curly and Straight” 2016

“White Silk Scroll Series: Red Hair Curly and Straight” 2016

TWO SF ART FAIRS

I’m still feeling inspired by the shows I attended in SF last week - FOG and Untitled.

Untitled VIP entry was great fun at Pier 37 this year, despite the overpriced cocktails. It was also an entertaining fashion show for our city which is not especially fashionable. I felt like a tourist so we went to eat afterward at Fisherman’s Wharf, Pier 39!

FOG is all about beauty and luxury. The best of the best and an extension of SFMOMA. So it’s great to just go, look, and learn! And attending with a few different friends lent several fresh perspectives. Here’s a peek into their Gala: https://hauteliving.com/2019/01/fog-design-art-fair-2019/665573/

A FOG installation that was popular with the photographers.

A FOG installation that was popular with the photographers.

Gorgeous displays abound at FOG.

Gorgeous displays abound at FOG.

BOUGHT AND SOLD!

At the same time that I sold my piece at Arc’s SNAP!” show I bought a painting by my creative director, curator, painter friend Joseph Abbati.

“Graffiti Wall Series: Break Dance” sold at SNAP! the annual Juried show and sale at Arc.

“Graffiti Wall Series: Break Dance” sold at SNAP! the annual Juried show and sale at Arc.

EAST MEETS WEST

Crazy to add to so much stimulation in last several days but I had a free hour so I blasted through the Legion of Honor to see a simply stunning show: https://legionofhonor.famsf.org/exhibitions/east-meets-west

Incredible to think that these royal men decorated and bejeweled themselves as much or more than their female counterparts.

Stormy gray SF winter skies. The Legion always reminds me of the Louvre.

Stormy gray SF winter skies. The Legion always reminds me of the Louvre.

SIGNS OF SPRING!

I started my Friday afternoon walks again, mostly in Golden Gate Park. I’m reminded how much I love this city! I get inspired by the rain-fresh air and springtime beginning in January. Reflections in Stow Lake abound. Pink and white Magnolia trees are coming into full bloom in the Botanical Garden.

Just outside the DeYoung Museum (SF)

Just outside the DeYoung Museum (SF)

Stow Lake early evening reflections, Golden Gate Park (SF)

Stow Lake early evening reflections, Golden Gate Park (SF)

Golden Gate Park magnolia tree trunk.

Golden Gate Park magnolia tree trunk.

The permanent display at the Asian Museum (SF)

COLOR COMBOS

Whenever I wander into the Asian Art Museum I linger over their collection of delicate, multi-colored snuff bottles. I love the color combinations especially all the coral and jade…Stay tuned for my visit to the next show at http://infocus.asianart.org/kimonorefashioned/ at the Asian Museum (SF).

SAVE THESE DATES!

> SFWA Gallery Receptions: Thurs 2/7 & Sat 2/23

> City Art Coop Gallery (SF) Reception: Fri 3/1


ENTIRE SILK SCROLL SERIES

It seemed that I didn’t have so much going in the way of art shows booked for the year so when the opportunity arose to rent the entire rear gallery at SFWA for February - I took it! I will show my entire series of seven silk scrolls. This might be the last time I will show them. I’m feeling an itch to move on…

So I’ll be taking down the three scrolls pictured here (below). This is the last week of “Advanced” so I led a group of art-loving friends through the exhibition, curated by Joseph Abbati, at Senator Scott Weiner’s office. It’s a great show in a great space!

I’m in the center with painter Usha Shukla and textile artist/curator Deborah Corsini. My scrolls are in the background.

LITTLE SQUARES

“Mirror Series: Offering” is one of a large group of square images that are also included in my new book. There are three styles within this little square series. They are: (1) simple, clean single figures, (2) mirrored or multiplied figures, (3) drawings that are photo collaged. This series debuted at City Art Gallery (SF) in November and three were featured in “Small Presents” at SFWA at the end of 2018.

“Mirror Series: Offering” is an image I shot in Burma then collaged with a mirrored life drawing.

“Mirror Series: Offering” is an image I shot in Burma then collaged with a mirrored life drawing.

SELF-PUBLISHED!

Interested in my first book of work with 30+ pages of art? Many works are included from the square series plus others which I haven’t printed yet. I still have several in this limited edition: Inquire at srkirshenbaum@gmail.com

GRAPHIC POSTER SERIES

In March 2019 I’m launching a Poster Series at City Art Coop Gallery in the SF Mission. I have the front space in the gallery window!

“Graphic Nudes: The Poster Series” are my latest grouping of figurative works in bold solid colors.

“Graphic Nudes: The Poster Series” are my latest grouping of figurative works in bold solid colors.

MISSED THIS EXHIBITION?

It was just at the DeYoung Museum (SF) – my favorite SF museum. If you didn’t have a chance to catch this eye-opening show it just ended. It was beautiful, surprising, and thought- provoking. I believe you could try to see it in Berlin…

How do fashion designers modify their high-end designs for a modest wearer? Apparently there’s a whole fashion and art movement including super-cool artwear too. Note the leather jacket below.

My neighbor saw this exhibition and she was artistically inspired: “It was awesome and exciting to see and learn about such exotic works and people and the pride they have in their culture and religion. I also learned the word #mipster (a Muslim hipster) who are so fun and relatable.” -Brooke S.

There’s photography and video in the show too. I saw this (same?) series of artistic scarf photos at the Jenkins Johnson booth at the Untitled show.

“Agony or Ecstasy”

“Agony or Ecstasy”

DAY-TIME DRAWING

This month I started attended a day-time drawing group. What a novelty! It’s located right in Golden Gate Park in Sharon Art Studio.

Big, graceful men - here are some sample works with the latest male models, bodies curving in their own ways, made into collages or left as simple gesture drawings.

“Weighted Stance”, digital drawing 2019

“Thrust Forward”, digital drawing 2019

“Sunset Years”, a digital collage 2019

“Mountain Man”, a digital collage 2019

“Balance and Gesture”, digital drawing 2019

“Woman Warrior”, a digital collage 2019

“Woman Warrior”, a digital collage 2019

MARCHING ON THE SIDELINES

A Political Note:

The Women’s March took place last weekend and I watched it roll into The Embarcadero (SF). I loved the energy, clever signs and creative costumes. I choose to put aside the controversies surrounding the organizers of this march. I’m delighted there’s so much force behind the rejuvenation of the “Women’s Movement” (which I grew up in). I didn’t march this time due to my arm sling - getting bumped around in crowds is painful…

In my heart and in my art I march for women every day.

Simultaneously, the government shutdown painfully effected my family directly, and I’m glad that at the point of this writing that it’s over for the time being.

As 2018 Winds Down - Wishing for Rain and Wind

Susan KirshenbaumComment

What’s Happening Now

What a year! Just a couple more shows and then a shoulder surgery - so out of commission for a bit.

2018_smoke_view_kirshenbaum.JPG

I am sitting in my home/studio looking out at our smoke-filled sky. They say it’s like 10 cigs a day. I already smoked mine decades ago and don’t need more. It is so darn sad!

“In Conversation” is one of three large silk scrolls hanging in Senator Scott Weiner’s office in Dec 2018-Jan 2019.

“In Conversation” is one of three large silk scrolls hanging in Senator Scott Weiner’s office in Dec 2018-Jan 2019.

Life for some goes on…

I’m just wrapping up a couple shows now (Spark Arts Open Studios show was extended) and at City Art Coop November show. I’ll be in “Small Presence” with a series of three pieces at SFWA for December.

Now I’m super excited to be showing three of my color block silk scrolls in Senator Scott Weiner’s office gallery Dec-Jan. Okay, it’s kind of a funny theme - ADVANCED, curated by Joseph Abbati. Yes, that term is about in age, and other factors, like where you are in your career...

Reception: December 14 from 5-7pm with refreshments and snacks.

Thanksgiving feels especially powerful this year. So much to be thankful for. We host, and it’ll be rather small for us. We expect our desperately needed rain this Thursday.

Shout-Outs

I’d like to thank Rhiannon MacFaden who has been my art coach for several years now. That’s right, I have an art coach - and she’s wonderful (and I’m willing to share).

And here’s a shout-out to San Francisco Women Artists Gallery. We’ve been in SF since the late 1800’s! I especially love to support women’s organizations and always have done so in business as well. Now I’m joining the SFWA BOD as Exhibitions Director for 2019. So looking forward to learning a lot and being able to contribute strategically and hands-on with our art shows! This lovely gallery has themed juried shows every month. Located in the inner Sunset, it’s a hidden gem. All Bay Area artist friends - consider joining us! The organization just keeps getting better.

Thanks, too, to my newest galleries where I had a chance to show my work this year: Back to the Picture, City Art Coop SF, Abrams Claghorn Gallery (Grove Salon), Spark Arts, Secret Agent, and Radian Gallery.

Thank you Nigel and Reginald for keeping me company throughout all this.

Thanks to the many friends (old and new) who came to so many shows! It’s really important to have your support. I hope it’s fun for you too. A gazillion thanks to Jack who hauled, hung, selected, schlepped, and attended oh so many exhibitions.

Exciting news! I just launched my Patreon page! It’s all very new to me, but I encourage you to sign up to be my Patron - even at the lowest tier, so that others will follow suit. Thank you! It’ll be full of fun arty treats. Become a patron here: www.patreon.com/srkirshenbaum

Until mid-January, I’ll continue to post updates on my Instagram page, my Cherry Pits Facebook Page, and on my website. But no more blogging in 2018. Thank you all for actually reading and giving me feedback on my posts! Happy holidays to you! I’m looking forward to a healthy, productive, and artful 2019.

And remember, art books make excellent gifts! http://www.cherrypits.net/shop

An Industrious Autumn

Susan KirshenbaumComment

DEAD CENTER

I think I’m in the dead center of all this activity. So now I am eagerly planning a week off to do very little, because I’m too darn busy, and maybe shouldn’t take a break to write this, but I don’t want my readers to miss anything coming up soon!

RADIAN GALLERY START-UP

So far this fall I was in the inaugural invitational show at Radian Gallery, a brand new venture by my old friend Tony Wessling (the gallery started out as Wessling Gallery but has changed names since). You can see images of my rarely shown “Banderas Series” below - plus when you click on Radian Gallery you can tour the entire show in VR. I’ll be doing some curating for the gallery too, which I look forward to.

SIDE TRIPPING

In the early fall and in the middle of all these shows and preparations, I took a break for a beautiful little road trip around Western Washington state with a small group of friends. Fantastic and inspiring. All this while still walking around in a boot from my foot surgery.

EAST BAY VENTURE

My show at Grove Salon on Solano Ave. in Albany, CA ran through September. Curated by Abrams Claghorn Gallery, it was my East Bay debut, and friends came from near and far!

ART + ACTIVISM

I’ve also participated in several shows at the SFWA gallery. In September the “GAIA: Age of Climate Change” exhibition was juried by my friend and former teacher, Kim Anno. We were part of the city-wide event on Climate Action and we enjoyed an inspiring talk by Kim on Art + Activism. The October show is “Vibrant Visions” and it’s an eye-popper!

OCTOBER = BREAST CANCER AWARENESS MONTH

Through October I’m in a 2-person show that is Honoring Breast Cancer Awareness Month. Usha Shukla and I are showing our work together at Spark Arts in a show titled “Parallel Universes: Abstract and Figurative”. Come and see this unbeatable combination of work. We’d like to continue showing our work together since it’s so complimentary - suggestions for venues are welcome. The gallery also threw a fabulous art party/reception with a band - Green Ribbon, and a live model drawing session with Titine. A portion of the proceeds of this show will be donated.

VOLUNTEERING

I’ve been volunteering for Artspan and for SFWA. My foot is pretty much back to normal so I can stand around and schmooze at all these events.

ARTSPAN OPEN STUDIOS

There have been a bunch of fun parties and events like the Gala at SoMarts to kick off Open Studios. I’m looking forward to my two Open Studios at SFWA and Spark Arts (Weekends 4 & 5). Check out the bike tour that Artspan is offering during weekend 4.

I also spent an afternoon at the Hunters Point Shipyard Open Studios yesterday. Wow, that was a dense, rich experience. I’m completely convinced I need to get a studio outside of my home now.

WHAT’S NEXT

In November I’ll be exhibiting a new series of small square pieces at City Art Cooperative Gallery. I just published a little square book of my art too, with 33 images. It corresponds nicely with this show. I’ve already had to order a second edition (this time with a hard cover) since the initial run was very small and is selling out quickly!

KEY DATES TO REMEMBER

If you live here in the Bay Area I hope you can stop by my upcoming exhibitions and receptions:

-OCT. 25 - Root Division Auction Event - I have a colorful silk scroll in this show/auction!

-OCT. 27 - Last day of two-person show at Spark Arts - call for an appointment to see our work!

NOV. 2 - Reception at City Art Coop, 7-10pm - I’m showing a series of a dozen new small pieces. Through 12/1.

-NOV. 3 & 4 OPEN STUDIOS at SFWA, 11-6pm

-NOV. 3 - VIP Reception at SFWA for Open Studios 10-Noon

-NOV. 4 - Art demos and talks at SFWA

-NOV. 10 & 11 OPEN STUDIOS at Spark Arts, 11-6pm

-NOV. 10 - Reception at Spark Arts for Open Studios 6-9pm

A Re-Introduction

Susan KirshenbaumComment
Tami modeling at John Goodman's Drawing Group - my long-time Monday night figure sessions. See my next blog coming up about the topic of working with models.

Tami modeling at John Goodman's Drawing Group - my long-time Monday night figure sessions. See my next blog coming up about the topic of working with models.

HOT SUMMER SIGNALS CHANGE

A little environmental check-in. Today it is really summery in SF, almost like Pittsburgh, PA, my home town. It's not usually a hot summer in SF, not in a recognizable way. The galleries get hot though, I mean the temperature inside, as we hold our openings with no air conditioning and we stand on the streets smuggling our plastic cups of wine outside. I'm not talking about climate change - not here/now. But maybe that will be the theme of my blog this fall to coincide with Gaia - the city-wide climate change conference. This topic is always on our minds.

Here's  No Where to Run , one of my climate change themed works.

Here's No Where to Run, one of my climate change themed works.

PAIN AWAKENS AWARENESS

And now a little body check-in. I'm in the midst of a medical summer, filled with long-delayed surgeries. This gives me bit of extra time to think. To lie around on the sofa with a book, a sketchbook, a friend, a cat, and an ice pack. I kinda like it. This medical stuff hasn't kept me from showing my work, making art, or trying to get my art in front of people. Every day is about creating awareness, broadening my audience, generating fans and patrons.

Foot up, cat on lap, and a furry cover...

Foot up, cat on lap, and a furry cover...

AN ART STATE OF MIND?

The mental check-in is next. Long ago, I thought that art-making required high drama in my life. And that was exciting, inspiring, and fed the fire...but my quiet life has disproved this idea. All inspiration isn't from deep sadness and pain (wow)! I may not be writing dark poetry anymore, but it turns out I still have plenty to say about myself and the world around me.

CHANGES REFLECTED

While creating this blog I started working on a new section of my website: Exhibitions. It's filled with show photos and very short descriptions. It describes what I've done lately. But here's the surprising part. I just discovered that I've only been doing this full-time art-making for two years. Seriously, I'm the most impatient person I know. I'm feeling so urgent, like I've lost so much time. Not to mention that most /many EMERGING artists are maybe in their early 20s and I am clearly not.

I just went through hundreds of my photos and re-evaluated. Time is speeding up. I've - in fact - to my great surprise - done quite a lot. But, still, I have no time to waste and so much more to do. Don't you?

Burma Series: Breaking Walls, Breaking Patterns  shines a light on the plight of the Rohingya women being forced out of Burma. It's important to me to bring attention to this group of people who are being systematically persecuted

Burma Series: Breaking Walls, Breaking Patterns shines a light on the plight of the Rohingya women being forced out of Burma. It's important to me to bring attention to this group of people who are being systematically persecuted

About more than figures

My latest piece addressing a cause is shown above. Created as part of my Burma Series, this piece is my interpretation of the SFWA show theme "Patterns" where it was recently shown. The background pattern is a photo I took of a painted wall inside an ancient Buddhist temple in Bagan, Burma on a recent trip. When we visited I was asked to wear a long sarong to wrap myself fully, as these ancient sites in ruins are still  considered as sacred and holy as new temples.

But there's a problem in Burma. There is a pattern of female persecution and punishment that must change. How can each of us ensure women's safety and freedom of speech and religion? Oppression of women, acceptance of women as whole human beings, religious dogma and religious freedom of expression, the dangers of militarism, and political hypocrisy - these are some of topics I think about a lot and try to instill into my art. Traveling is of utmost importance to me in order to experience different places, people, and ideas directly.

Bagan, Burma temple site.

Bagan, Burma temple site.

CAUSE MARKETING

I know why some people think I'd branched out into product design. After seven years of working as a creative director in-house at the JCCSF, I left in 2014 and once again founded a creative agency. I've had three agencies so far, including Kirshenbaum Communications - that lasted for over a decade. My teams and I have done good strong work for people and organizations. One of my last clients was The Second Opinion, a non-profit who helps people get FREE second opinions regarding their cancer diagnosis. What could be more important work?

Here's a spread from their annual report we created along with portraits and video (by Dave Papas).

Here's a spread from their annual report we created along with portraits and video (by Dave Papas).

After my stint as Cherry Tree Creative, I was lured away by art again, but in this case it was via a design partner. We were going to help arts organizations with their marketing and branding. We founded Stir, which is still an active creative agency. 

I loved our business cards with their neon orange edges and letterpress type.

I loved our business cards with their neon orange edges and letterpress type.

WHAT AM I WAITING FOR?

But in the end I had to ask myself - why work for other arts organizations - when I could market ME and my art work? It's easy to see why it was time. I've only been ready for this for my entire life!

In my bedroom at around 4 years old, drawing, of course. Before the family started the Ivy School of Professional Art in Pittsburgh, PA.

In my bedroom at around 4 years old, drawing, of course. Before the family started the Ivy School of Professional Art in Pittsburgh, PA.

CREATIVE ROOTS

I always made art and I was strongly encouraged early on. The family opened an art school when I was five. That was my life too, as family businesses can be. Fortunately art was also my keenest interest.

Maybe you've seen these black and white photos on my website. My father was always taking photos of us. We learned to develop and print black and white photos in our home darkroom. We even got to work with oil paint at home. As the art school took off, home art-making shifted to the art school and my sisters and I took a variety of real art classes.

On the front stoop of our house in Point Breeze, Pittsburgh, PA, at around 6 years old, drawing, of course. By now the school was in full swing. I thought I'd teach there (yes, at this age).

On the front stoop of our house in Point Breeze, Pittsburgh, PA, at around 6 years old, drawing, of course. By now the school was in full swing. I thought I'd teach there (yes, at this age).

Here's Nigel in the background 2 x.

Here's Nigel in the background 2 x.

A cat CREATES A NEW OPPORTUNITY

Moving into the present, our big black cat Nigel is a lover, but he's also a "wool sucker" and has destroyed garbage-bagfuls of woolens.

Patched the cat-chewed hole with velvet ribbon, my simplest of all fixes, and still a fav.

Patched the cat-chewed hole with velvet ribbon, my simplest of all fixes, and still a fav.

In 2016 I started making upcycled art clothes out of cat-chewed knitwear. In order to do this I shopped around and found my friend and sewing mentor Connie Walker-Shaw of SEW in West Portal. Connie has imagination and talent. She works with kids and has a great deal of patience.

Upcycled baby hat- one of a kind - made from cashmere scraps.

SEWING - FROM UPCYCLING TO NEW

It was during my clothing upcycling period that I began making my own textiles. I needed to learn to sew from scratch, beyond a serger (a special sewing machine for knitwear). I got a home sewing machine and lots of cool supplies and I began working closely with Connie. I was able to create clothes and "art merch" to sell. 

Since I work digitally already, I was able to transition to making fabric and paper using my files and online software with Spoonflower. Connie helped me progress into pattern-making and sewing original designs. We designed and made throw pillows, dresses, leggings, silk scarves, cherrypit-filled neckrolls (with the help of my neighbor Mary), carry-all bags, tea towels, cocktail napkins, charm necklaces, and more.

Maker & Moss Pop Up Show #1, Hayes Valley, SF, 2016.

My second Pop-Up had a mixture of art and art merchandise. This was at a friend's lovely blueberry farm in Sebastopol, 2016.

My second Pop-Up had a mixture of art and art merchandise. This was at a friend's lovely blueberry farm in Sebastopol, 2016.

ART VS. CRAFT

Looking back at my making process - It's true that I got wildly excited about creating textile designs using my artwork. Because I work digitally it's much easier than I'd imagined to convert my figures into repeat patterns.

This is some of the art paper I've made. Paper and fabric, the basis of the products and this is probably my favorite part. Maybe just make them?

This is some of the art paper I've made. Paper and fabric, the basis of the products and this is probably my favorite part. Maybe just make them?

A FAMILY BIAS

Even as a teenager, with a family who actively encouraged my art-making - but not other kinds of making (certainly not crafts!), I studied jewelry and I loved it. I even pursued it as an apprentice silversmith in Silverton, CO - a story for another time.

As a teenager with my father in our art school gallery.

Suffice it to say that I enjoy using my hands and physically making. I also like making ceramics and getting messy! And I do love salt...

A ceramic project creating a series of salt containers with lettering and drawing.

SCULPTURE AS A PATH

Eventually I worked my way into soft sculpture, using my own art textiles and by taking yet another City College class. This made me feel like I was making art again. I imagine some very large projects - rooms filled with my figures - stuffed and printed fabric sculptures. This might still happen in the right space - something I hope to get with a next residency and/or a gallery.

This is a first prototype, like a rag doll, it's made from the remnants of an art dress (above right photo).

This is a first prototype, like a rag doll, it's made from the remnants of an art dress (above right photo).

Woman with Pink Posey  is   almost life-sized and intended to be the first in a series. At The Laundry, fall 2016.

Woman with Pink Posey is almost life-sized and intended to be the first in a series. At The Laundry, fall 2016.

Enjoying the flexibility of the digital arena and multiple versioning is very much like printmaking.  Illusive Rose , 2018.

Enjoying the flexibility of the digital arena and multiple versioning is very much like printmaking. Illusive Rose, 2018.

TRANSITION FROM MERCH TO ART

Spoonflower made it possible for me to take my repeat patterns for textiles into the realm of paper art, too. While making limited edition fine art prints on paper for gallery shows, I was having so much fun making other kinds of work that I wasn't worried about potential confusion in the marketplace. Some artists don't worry about this.

I've always loved interior, product, and fashion design. I became enamored with the possibilities and challenges of learning to design and make beautiful, humorous, functional and decorative merchandise mostly by myself. I got a lot of encouragement and sold a good amount of what I made. There's satisfaction in that. Art is a much harder sell. 

Then I figured out how to make scrolls. Printing my own textiles first helped me gain confidence technically so I could cross over into art-making. I began combining large image outputs onto fabric then sewing them to finish the pieces. My art coach Rhiannon Macphaden has helped me along the way. I was able develop my first two large-scale series of limited edition silk scrolls. Several are now hanging at my Grove Salon show curated by Abrams Claghorn Gallery.

Here's the scroll,  Red Hair Curly and Straight,  hanging at  Arc Gallery  for the Life/Live show. Now hanging at Grove - reception Aug. 24.

Here's the scroll, Red Hair Curly and Straight, hanging at Arc Gallery for the Life/Live show. Now hanging at Grove - reception Aug. 24.

IDENTITY & CLARITY OF PURPOSE

Because people have asked me or expressed confusion, I want to be very clear now. My art-making is not an extension of my design career. I have not become a "maker" either (although I do love the maker movement).

> I am not in the textile and/or product design and making business.

> You might still see me in an art dress which I've created just for me (below).

> You might be able to buy a unique art charm necklace or a rare silk scarf from me (below).

Dave Papas, my photographer friend, had many years of great photo-birthday parties. Here I'm showing off my art scarf - now a collector's item!

And maybe I'll get back to making more beautiful, clever products again, for buyers. I especially enjoyed the idea of my rabbi friend wearing my scarves to synagogue (as well as other friends and family clothed in my artwear in nude-unfriendly environments).

This would have to be after my brand as an artist is stronger - someone perhaps whose work you have seen in publications and galleries, but are unlikely to find in shops or on Etsy. That's how it is now.

At Art Basel Miami in front of a suitable painting that goes well with my art dress.

At Art Basel Miami in front of a suitable painting that goes well with my art dress.

CLEAR AMBITIONS

> To make the most interesting, rewarding art that I can.

> To push myself and my viewers as far as I can.

> To get the work I make out into the world, for others to consider and respond to.

These are my mottos today.

An art talk at The Laundry in 2016

An art talk at The Laundry in 2016

CALL ME AN ARTIST

I've never stopped making art. But there were times over the course of my life when I ran from the title of "artist". Now I embrace it.

As a Bay Area-based artist I would like my work to be seen and experienced in many different regions of the world, in all kinds of spaces, and for all kinds of audiences. Offer me a space to fill! I'll consider just about any kind of challenge.

Troll House installation of Banderas Series (5- 8' high scrolls). My first site-specific installation piece will be shown again at The Wessling Gallery in Sept. 2018.

HOW DO YOU DO?

For all of the reasons expressed here, about a year ago, I began to wind down the "art merch-making" to focus 100% on art that would be best displayed in a gallery or a residential or commercial space. That's my current work as I've yet again re-emerged.

How is it that I am "emerging", when I've done this all for so long? That's why everything I say starts with "re-".

So now I'd like to re-introduce myself - although I've made no drastic changes and there may be no surprises. I was not crystal clear in my messaging when I first re-launched my art career. I just wanted to make art and I thought that was enough, but it's not.

Curly Girls in Pink.   Who am I? I am a curly girl artist. I allow myself to like pink a lot. I love color. You will see this in all of my work, from rusty naturals to neon brights.

Curly Girls in Pink.

Who am I? I am a curly girl artist. I allow myself to like pink a lot. I love color. You will see this in all of my work, from rusty naturals to neon brights.

This man has a clear identity. His artwear is taken to the extreme. He attended one of my recent openings at  City Art Coop Gallery  and happily posed for me. That's my July wall behind him.

This man has a clear identity. His artwear is taken to the extreme. He attended one of my recent openings at City Art Coop Gallery and happily posed for me. That's my July wall behind him.


DON'T MISS ART EVENTS

AUG. 9: RECEPTION AT SFWA

AUG. 24: RECEPTION AT GROVE SALON

Curated by Abrams Claghorn Gallery

SEPT. 5: RECEPTION AT THE WESSLING GALLERY

See the Banderas Series here.

NOV. 3-4: OPEN STUDIOS WEEKEND AT SFWA

WITH VIP RECEPTION 10-NOON, NOV. 3

Dates to come for Art Workshops, Demos, & Talks

ArtSpan Open Studios Guide Ad for our group

ArtSpan Open Studios Guide Ad for our group

WHAT'S COMING UP

Mark your calendars for my first East Bay Show; a Pop-Up art show with old friends in SOMA; and ArtSpan Open Studios at SFWA. Read about my upcoming art events in the NEWS section of this site (2.0 version). Look for my upcoming section "Exhibitions" (2.5 version), launching soon!

ArtSpan Open Studios

I'll be in a group of SFWA members holding Open Studios at the SFWA Artist's Salon Gallery October-November and during Weekend 4: Sat.-Sun., Nov. 3-4, from 11am-6pm. Kick off Open Studios weekend at our VIP Reception - with bubbly of course - Sat., Nov. 3, from 10-noon.

Throughout the rest of the weekend join us for art talks, demos, refreshments, and a chance to meet and chat with this talented group of SFWA member artists. I'm especially looking forward to this show since I'll be exhibiting a new body of work!

We will be showing our work from the beginning of October through Open Studios weekend. Come by and see my latest collage drawings. I'll be doing iPad Pro art demos at the SFWA gallery on October 27-28.

"What Brings Us Joy" at SFWA

Get a sneak preview of my first two pieces this week at the August SFWA show themed "What Gives Us Joy" on Thurs., Aug. 9, 5:30-8pm.

Wall Series: Angelica's Heart, 2018, at SFWA during the July show "What Gives Us Joy". Printed on canvas.

Sneak Preview

Here's a sneak preview of some of the work that might be shown - but you still have to come and see the show! It's an ongoing series I'm building with my life drawings combined digitally with layers of my photos of walls, skies, and textures. This combination of imagery, inspired by a recent trip to Spain, led me to the title. I'll also have a new selection of small, unframed prints and cards for sale throughout the weekend.

Wall Series: Escape into the Deep, Dark Green, 2018

Look for more announcements about special events coming up this fall!